The reading room

Pick a world, scrub its sky. The living ASCII Catalyst — drag to move through the weather, or let the day run.

The seven animated settings (sky · seascape · dome · ferry · hearth · street · train). Each opens its own page: the set stays on top, with broken down (element by element) and the styles that render it below.

Concept → Pilot → Story → Scenes → Prequel → Front Door. The spine the build walks, the gates that punctuate it, and where the set's style comes in.

One engine, data-driven scenes — the Dear Kuya letter plays here; scenes with their own workbench (the storm) open from its tabs.

Play both presentations — ▶ press play, and the music tries to get in: its own pages, the knock that cuts it mid-word, the truck, the white card. Below: the three songs line by line, the 22-card map, the notes.

The card grammar as a searchable deck: every law a card in a horizontal carousel — its rule in a line, a live tap-able demo, one worked beat. Type an intent ("a sound gets louder", "time passes"), filter by family, ♥-pick per palette, and collect rules into a tray you can copy out — scenes unpack into the rules each of their cards uses.

Three prequel events built in the full card craft — each catches a new player up and rewards a reader who was there. Tadhana is the flagship: the bakod at dusk, a vault over the fence, a week of teaching to Ang Huling El Bimbo, and one Tagalog word that bookends the whole thing — every element audition-picked, card by card.